Korean landscape paintings

Landscape painting is a tradition that goes back a long way in East Asia. These depictions were not always accurate reproductions, but an essence of the artist's reality. Making it more of a utopian vision.

Before the 18th century, Korean landscape paintings depicted mainly famous scenery in China, or were scenes of harmony imagined by the artist. When the Korean people started to reclaim their own historical and cultural heritage, they also rediscovered their own country's beautiful nature. This is also called the ‘Koreanization’ of Korean art.

How landscape painting became a major genre

Landscape painting evolved as a major genre during the Joseon dynasty (1392–1910). Court artist An Gyeon drew a landscape painting for Prince Anpyeong in the 15ht century, called 'Dream Journey to the Peach Blossom Land'. It is considered his masterpiece and has gotten much appreciation. His distinctive style shaped the direction of the landscape genre, but there was another Korean artist that influenced this genre. After traditional painting styles became more realistic, a style of landscape painting known as 'True View' became a national style in Korea. Jeong Seon (1676-1759) made Korean landscapes hugely popular, and is known to be the father of the Korean True View landscape. 

W1 279

w1-279

Ji Sun Hui

W1 293

w1-293

Ryu Ryong Cheon

W1 296

w1-296

An Myung Jin

W1 299

w1-299

Kim Chun Jon

W2 173

w2-173

Jong Chang Mo

W2 215

w2-215

Hong Song Gwang

W2 382

w2-382

Mun Hwa Chun

W3 233

w3-233

Mun Hwa Chun

W3 322

w3-322

Mun Hwa Chun

W3 447

w3-447

Kim Yun

W3 458

w3-458

Kang Kyong Pok

W3 461

w3-461

Kim Sang Ho

W3 463

w3-463

Rim Ho Chol

W3 464

w3-464

Kim Sang Ho

W3 465

w3-465

Hwang Min

W3 469

w3-469

Kim Song Ho

W3 470

w3-470

Mun Hwa Chun

W3 476

w3-476

Jon Myong Ho

O1 2

o1-2

Oh Jong Ik

O1 41

o1-41

Tak Hyo Yeon

O1 42

o1-42

Tak Hyo Yeon

O1 48

o1-48

Choe In Guk

O2 180

o2-180

Kim Chul (Chol)

O2 352

o2-352

Park Yae Cheon

O3 210

o3-210

Tak Hyo Yeon & Ho Jae Song

O3 212

o3-212

Tak Hyo Yeon

O3 215

o3-215

Tak Hyo Yeon

O3 364

o3-364

Jong Ju Chol

O3 439

o3-439 (440)

Jong Hwa

O3 442

o3-442

Jong Hwa

O3 448

o3-448

Ryu Jong Bong

O3 472

o3-472

Sin Chol Ung

W2 014

w2-014

An Myong-jin

W2 109

w2-109

Kim Chun-jon

W4 004

w4-004

Kim Song-ho

W4 031

w4-031

Cha Jin

W4 221

w4-221

Mun Hwa Chun

O1 006

o1-006

Jung Hui-Jin and Ri Kwang

O3 189

o3-189

Rae Song

O3 445

o3-445

Ho Nam Il

O4 043

o4-043

Jang Hyon Chol

O4 044

o4-044

Jang Hyon Chol

O4 074

o4-074

Kim Il Su

O4 133

o4-133

Jang Hyon Chol

O4 205

o4-205

Jang Hyon Chol

O4 209

o4-209

Jang Hyon Chol

O4 251

o4-251

Jong Ju Chol

O4 444

o4-444

Hong Chol Ung

O3 365

o3-365

Tak Hyo Yeon

The Kaesong Collection

The Kaesong Collection unfolds a stylistic and genre panorama of Korean contemporary painting and brings out two aspects in the development of Korean painting. One of them is associated with long art traditions of Korea, the Far East countries and their art heritage, the other, more modernist trends in the arena of world art. Still, the major subject of Korean painting remains, up to this day, the landscape. 

  • What is the Kaesong collection?
  • The Kaesong collection is a unique selection of high quality Korean art works. It is acquired in the most isolated country in the world: North Korea. These hidden treasures contain the finest contemporary and modern oil paintings, watercolours and drawings. They are created by Korean artists, like Jong Chang Mo, Son U Yong, Rim Ryul, Tak Hyo Yeon, Kim Sung Hui, Kim Song Min and many others. Among them are several prize winners at international exhibitions held in Asian countries. They are widely acclaimed in South Korea, China, Japan, The Philippines and Thailand.

  • How did the Kaesong collection came to be?
  • Curiosity, love for art and an interest in long-term investments in art made Frans Broersen (owner of Springtime Art Foundation) decide to visit North Korea. With intensive negotiations and help from the North Korean Embassy in London, he finally got the invitation from the Korean government by the Ministry of Culture of North Korea. After his first visit, Frans was confident of the possibilities and quality of North Korean art. Back home, he formed a team of people to combine knowledge, money and workforce to start purchasing works of art. Several visits and many acquisitions later, the Kaesong Collection took its shape.

  • What is traditional Korean art?
  • Korean art consists of paintings, calligraphy, music, mulberry paper art, decorative knot making, pottery like celadon, sculptures and other forms of art. The beauty of Korean art and the strength of its artists lies in simplicity, spontaneity and a feeling of harmony with nature. It values tenderness, a sense of balance, serenity and harmony. It is distinguished for its simple and elegant composition. The majority of today's Korean artists still follow the path of tradition. Each nature's motif gives meaning to a certain conception of value, such as spiritual strength, firmness, longevity and wisdom.

  • What is unique about Korean art?
  • In the course of history, Korean culture and art has been influenced by Chinese styles, obliged by Japan during the Japanese occupation period (1910-1945) and inspired by European styles in the modern era. But it has always kept its own unique style, elements, traditional symbols and patterns. Which all have their own meaning and representation.

    In Korean art you find the concept of naturalism, and it is characterized by its non-complex and harmonious composition, due to a deep connection with their natural surroundings. Korean artists try to portray nature as true to life as possible. And even though the art scene in Korea has been influenced by different art movements, it has over the past centuries developed a distinctive style of its own. Based on the rich traditional and cultural history of Korea. 

  • What is the most favourite subject of Korean paintings?
  • Popular genres throughout the centuries are:

    • Daoist Paintings depicting the ten longevity symbols known as shipjangsaengdo. Which are: the sun, clouds, mountains, water, bamboo, pine, crane, deer, turtle and the mushroom of immortality. They are often all represented in a single picture.
    • Buddhist and Confucian paintings; showing the Buddha and Confucian art portraying as scholars wearing the traditional stove-pipe hats and monochromatic robes. Usually depicted in a teahouse near mountains or at mountain lodges.
    • Persian hunting scenes; often seen in Korean courtly art.
    • Decorative Painting; the vast majority of ancient folk painting, were used for decorative purposes.

    Popular subjects are:

    • The Four Gracious Plants, also known as the Four Gentlemanly Plants
    • Portraits
    • Minhwa (Korean folk art)
    • Genre and Landscape Painting